It’s no secret that I am obsessed with Inglorious Basterds. All my friends know that I have an obsessive nature to begin with, and moreover a distinct fascination with World War II history, which is what catapulted the historically inaccurate but brilliant film to the top spot on my favorite films list. Well, to be fair it has been tied with Pride and Prejudice, despite the fact that they are polar opposites. They’re really on opposite spectrums, which is exactly what I like. I was first introduced to X-Men: First Class and Shame star Michael Fassbender’s work in Basterds, as he played a British soldier and film expert. His performance was meant to be almost silly at first, along with Mike Myers’, as they played on as many British linguistic and phrase stereotypes they possibly could. So, while I enjoyed his performance, I wasn’t exactly wooed, like I was with Christoph Waltz’ brilliant portrayal of Colonel Hans Landa of the SS.
However, my tune began to dramatically change as I watched the feature film Jane Eyre starring Fassbender and Alice in Wonderland’s Mia Wasikowska for the first time. As a devoted fan of the classic Charlotte Bronte novel, I had extremely high expectations for who was cast as the beloved Mr. Rochester, and the performance that would be given. Rochester is a cold and complex man fueled, driven, and captivated by his past and the mistakes he has made. This anti-social and closed-off mentality is what links and bonds him and the young Jane Eyre almost immediately after they meet. These nineteenth century novels feature such complicated and unpredictable characters that I have no choice but to be impressed when an actor successfully pulls off such a performance. Fassbender has a dark and deep quality to him that mirrors his old Hollywood type handsomeness and air of intellect. Basterds made me aware of him, but Jane Eyre made me a fan.
And now Fassbender stars in the two films I am most excited for this season: NC-17 rated and Steve McQueen directed drama Shame, and the Sigmund Freud and Carl Jung centered film A Dangerous Method. He has already received rave reviews for his portrayal of a sex addict named Brandon Sullivan in Shame, which costars a favorite actress of mine, Carey Mulligan, as his sister. The film follows his character as he explores his own darkness, and is another example of a gritty well-received film that deserves such star power and talent. A Dangerous Method, which costars another favorite of mine, Keira Knightley as a hysteria patient, and Viggo Mortenson, will show his character Jung struggle with his relationship with his mentor Freud. He will also struggle with the theory of psychoanalysis, and sexual infidelity in a time when the outright enjoyment of the carnal act was frowned upon. Essentially, it will be a story about human urges and desires, taking its queues from Freud’s theory of the “id” and the “superego,” the angel and devil on each shoulder. It is evident, with his recent project choices, that Fassbender enjoys playing characters that are at war with themselves. Rochester versus his painful past, Jung versus his desires and conflicted beliefs, and Sullivan versus his addiction.
It is refreshing to see audiences embrace such a diverse actor in a business filled with heartthrobs and fads. I can already draw comparisons between Fassbender and British acting treasure Colin Firth, who has played an assortment of different characters, many also at war with themselves. Fassbender is on the fast track to the A list, and will no doubt be appearing in numerous high profile films in the future.
Photos Courtesy of flickr.com (brixton21).
No comments:
Post a Comment